Interested in being part of Spark Plug Theatre Collective’s
2026/2027 Season onstage?
FIRST - please review the show schedule, synopsis, character descriptions, and director notes below. Spark Plug Theatre Collective is fully a volunteer-based theatre company. Everyone involved is donating their time and talent to put on productions that ignite conversations and inspire new perspectives.
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IMPORTANT DATES:
Performances: September 18, 19, 20, 25, 26, 27. All Performances at 7:30pm with actor call at 6:30pm.
Rehearsals: estimated August/September (Rehearsal schedules will be built around actor availability.)
SYNOPSIS
William Shumway, a young, idealistic cellular biologist has a brilliant new idea for curing cancer. He gets recruited from relative obscurity to Hill-Matheson, a major cancer research institute, by its charismatic director, Bob Brock, with the offer of his own lab and all the resources he will need to pursue that idea. As the pressure to show publishable results begins to build, fueled by unexpected competition from a rival lab at Oxford and the politically agile head of another department who has resentfully seen his own budget slashed to free up more funding for Shumway’s lab, his research suddenly hits a snag. He is faced with having to choose between full disclosure of the problem, which would jeopardize the funding he needs, and making the more expedient decision to bend the rules just a little, which will buy him enough additional time to solve the problem.
CHARACTERS: (All Roles Are Open)
WILLIAM SHUMWAY: Male, Early thirties , any race. Immunologist. A passionately curious scientist in cancer research and rising star at the Hill-Matheson Institute. By nature, gentle and isolated.
ROBERT BROCK: Male, Fifties, any race. Immunologist and Director of Hill-Matheson. Shumway’s mentor, a charismatic man of great intelligence and ambition. More awkward in his personal life but capable of a gruff kind of affection.
ALICE CURITON: Female, 21 years old, any race. A student in Shumway’s lab. A bright, ‘mouthy’ spitfire, indifferent to etiquette. Has a brief, business-like flirtation with William.
SAUL ROTH: Male, 67 years old, any race. Chief of Toxicology at Hill-Matheson. Plays at being the amiable philosopher but is in fact a very political animal. Brock’s rival for power.
DIRECTOR NOTES:
Honestly, my first response to the show licensors description of the play was, "What a snore." When I read the script, though, I found a fast-paced dramatic tale of science, ethics and human conflict told with four intriguing characters, snappy dialogue and sharp wit, worthy of Aaron Sorkin. It will take four strong actors to pull this off. I look forward to collaborating with them to bring audiences an exciting theater experience.
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IMPORTANT DATES:
Performances: February 18, 19, 20, 26, 27, 28 in 2027. All performances at 7:30pm. Actor call at 6:30pm.
Rehearsals: estimated January/February (Rehearsal schedules will be built around actor availability.)
SHOW SYNOPSIS:
Sarah Boyd is an extraordinary human being. Not only did she build her company from scratch, she also sits on the precipice of truly saving this planet. Because on top of being one of the fastest growing tech companies in history, Tactix will usher this planet into the post-plastic era—a time where we need not worry or fret over the great destruction being done to our world from this non-biodegradable foe. With her eyes steady on her next round of funding, Sarah must persevere through a late-night interview with a particularly tough reporter, a lawsuit aimed at a person from her past and the waffling of her CTO. It’s a heavy load, and Sarah knows that she is the only one great enough to bear it.
CHARACTERS: (All Roles are Open)
SARAH BOYD: female, early to mid thirties, any race. CEO and Founder of Tactix. Charismatic.
JENNIFER WEAVER: female, early to mid thirties, any race. Chief of Technology for Tactix. Brilliant.
ALEXIS LYONS: female, late twenties to thirties, any race. Journalist. Charming, able to make most people she comes in contact with trust her right away. Polished.
NOTES FROM THE DIRECTOR:
Burst is a play that, on the surface, may feel like an exploration of the expected power dynamics of tech CEO with their feet to the fire. However, nothing is simple about the characters in this play or their motivations and relationships to each other.
I’m excited to work with an ensemble that is curious enough to dig in beyond the expected to the more complicated and nuanced truth of ambition, the system that dictates progress, and what we owe to each other — both those we know personally and humanity as a whole.
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IMPORTANT DATES:
Performances: May 14, 15, 16, 22, 23, 24 in 2027. All shows are at 7:30pm. Actor call is at 6:30pm
Rehearsals: estimated April/May (Rehearsal schedules will be built around actor availability.)
SYNOPSIS:
Max and Whitney both have personality disorders that cause them to retreat into imaginary worlds. When participating in a clinical drug trial that aims to rid them of their delusions, they fall in love. As the pills take effect and the fantasies subside, Max and Whitney must decide if romance is worth leaving their worlds behind.
CHARACTERS: (All Roles are Open)
Max: Male or Non-Binary, late 20s-early 30s, any race. Has schizoid personality disorder. Closed-off, withdrawn, and hyper-protective of his inner reality.
Whitney: Female or Non-Binary, late 20s-early 30s, any race. Has schizoid personality disorder. Curious and creative, with a highly developed and complex inner world similar to a space opera. Has absolutely no boundaries.
NOTES FROM THE DIRECTOR:
At its heart, this show isn’t really about a personality disorder; it’s about the search for connection and meaning in a highly disconnected modern world. Whitney and Max are polar opposites yet they forge an unlikely bond.
The show explores themes of society’s definition of “normalcy,” trauma, mental health, fantasy versus reality, and what it means to protect and sacrifice for someone else.
Actors who audition should be comfortable exploring dark themes (allusions to violence and suicidal ideation), along with – if cast in the show – light kissing and touching between the characters.
Auditions will consist of paired readings from the script with direction given during auditions. Come prepared to have fun and tell a story.
AFTER REVIEWING THE ABOVE INFORMATION — please submit the audition interest form below which will ask for:
+ Headshot or Favorite Photo
+ Resume (or list of previous roles/experience)
+ Which productions you would like to be considered for
+ Confirmation that you are available for performances dates and during the anticipated rehearsal period
+ Your availability for possible audition dates
+ If you are interested in helping out behind-the-scenes at SPTC
OPTIONAL VIDEO SUBMISSION: Actors may also choose to submit a self-tape of them performing one of the text options below. This is a great option if you are new to working with our theatre or feel your resume fully doesn’t represent your work. If you choose this option, you only need to submit one reading and do not need to choose a selection from the production(s) you are submitting for. We encourage you to pick the text you think shows your work best!
You will be able to upload your video file when you submit your audition interest form.
Here are the three text options:
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God works in mysterious ways…but don’t worry…you’ll understand everything as soon as you’re dead.’ (SLIGHT BEAT) I think God…whatever we call God…never reveals itself to us directly…only in the traces it leaves behind. We have to listen for it in a trail of echoes. I think God is the order of things…but the world is so full, it’s hard to find that order. It gets buried in the sheer amount…the chaos and riddles…the coffee swirls. Look at the R-cell. ‘The enemy of my enemy is my friend.’ The logic of a possible cure, and it’s buried in a paradox.
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I didn’t want to. It wasn’t my idea to take the person who started our friends and family [funding] round to court. It was the lawyers. We don’t get to just be regular people anymore, Jennie, we have to operate at a much different level. If we want great things, impossible things— Dr. Henry wouldn’t stop making those very public claims, she was attacking us, if we just let the people who are supposed to be our friends attack us how quickly do you think our enemies will jump on the band wagon? Our competitors? You know why security throughout the company is so high? Because they’re itching to get in here and steal everything we’re trying to do. I know I’m asking a lot of you. I know I ask a lot of everyone. Greatness has a cost.
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I let my guard down.
Then one night, I watched a TV program my coworkers were talking about, because my aunt wanted me to be more social and have things to talk about.
And there was a commercial. Shampoo. A girl with black hair tossed her hair upside down and back up again. And I went to sleep. And I woke up.
And the shampoo commercial girl was in the hole.
No warning.
[text cut]
And she was scared and helpless too. But I wasn’t there for her. Just one more woman in the hole I wasn’t enough for.
She didn’t last long.
And then it was just back to regular hole business.
No one since has lasted more than two months.
DEADLINE TO SUBMIT: July 8, 2026
Auditions may consist of prepared and/or cold readings from the script, taking direction from the director, actor exercises/games, etc. All scripts are readily available online and we highly encourage you to read them before auditioning.
Directors will review submissions and you will receive an email by July 15, 2026 if you are invited to audition for a production.You may be invited to attend auditions for more than one production.
If you don’t hear from us by this date, please email us. Sometimes technology can be weird and typos happen! It is our goal that everyone who submits information to the form will be notified if they are invited to audition or not.
We appreciate your grace in understanding that we’re still a small company with limited productions and cast sizes that we are able to support! Even if we aren’t able to invite you onstage for this season, we look forward to many more productions and the opportunity to work with you on the right project :-)
DEADLINE TO SUBMIT: July 8, 2026